Cate Blanchett has this ethereal beauty about her, an actress that hearkens back to the classic age of cinema and whose talent is undeniable and impeccable. With her recent release "Where'd You Go, Bernadette," I take a look at my five personal favorite Cate Blanchett films.
**THERE WILL BE NO SPOILERS**
#5
Thor: Ragnarok
The first two "Thor" films have been widely regarded as some of the MCU's worst, but "Thor: Ragnarok" managed to elevate the God of Thunder and produced an excellent film that's filled with your typical Marvel action with fantastic humor. Cate Blanchett makes her MCU debut as Hela, the Goddess of Death, who seeks to put an end to Asgard and Thor in particular. She's one of the MCU's best villains, a character who relishes in her evil and who gives a deeper performance than just a typical Big Bad.
#4
The Aviator
In Martin Scorsese's epic biopic about the eccentric Howard Hughes, Cate Blanchett plays Katharine Hepburn, and for her talents she was awarded her first Academy Award. She showcased her natural elegance as the famed actress, who breezes through the screen like a beautiful wind, who showcases her subtle acting abilities as she's insulting the male ego or nailing Hepburn's charm and charisma as only Blanchett could.
#3
Elizabeth
Taking on the role of Queen Elizabeth I, Cate Blanchett plays the classic monarch with a blend of youthful innocence and severe conviction, as she's forced to rule during a very tumultuous time in England's history - especially with the Catholics and Protestants at war. Blanchett shines as Elizabeth and proves that she's more than capable to handle the bigger roles she received later on in life.
#2
Blue Jasmine
"Blue Jasmine" earned Cate Blanchett her second Oscar, and it's no surprise why. She plays Jasmine French, a former wealthy socialite who looses everything after her husband's loose dealings are revealed, and is forced to live with her lesser-than sister, played by Sally Hawkins. Blanchett gives an impeccable performance of a woman who's slowly losing grip on reality, and manages to blend all types of emotions - fear, confusion, apathy, vanity - all at the same time, and truly lights up the screen.
#1
Carol
Set in the 1950s, "Carol" showcases the amazing talents of not just Cate Blanchett, but Rooney Mara as well. The film focuses on the forbidden love between Mara's youthful photographer and Blanchett's older, sophisticated woman who's going through a divorce and manages to be beautiful, heartbreaking, and breathtaking all at the same time. Blanchett utilizes all her natural talents here to full use, and will move you with just a simple smile or tilt of the head as much as her stirring, powerful speeches.
Major Theatrical Releases May 2019 After the hype that is "Avengers: Endgame," May offers a massive collection of differing types of movies, enough to entertain everyone. Here are the major theatrical releases for May 2019. **THERE WILL BE NO SPOILERS** **DATES ARE SUBJECT TO CHANGE** The Intruder May 3 Dennis Quaid goes from starring the family-friendly "A Dog's Journey" to playing a total psycho in "The Intruder." When a young couple purchases a home from Quaid's character Charlie, they didn't realize it came with an addition - Charlie himself, who can't seem to let his old home go. I don't expect any twists or turns in this tale, and this looks like a film better fit for Lifetime than the big screen. Long Shot May 3 Charlize Theron stars as Charlotte Field, the current Secretary of State and who's running for President. Seth Rogen stars as Fred Flarsky, a
Witch Starring Russell Shaw, Ryan Spong, Sarah Alexandra Marks, Fabrizio Santino Directed by Craig Hinde & Marc Zammit Movies about witches are about a dime a dozen, and follow the same formula: typically set in a time period long ago (since now, fortunately, the stigma of witches has been lessened and the religious fervor has diminished), in a small Puritanical town, a girl is accused of witchcraft which spirals the town into a frenzy filled with suspicion, doubt, and murder until the witch is put to religious justice. While that's not necessarily a bad formula (Robert Eggers' "The VVitch" and Mario Bava's "Black Sunday" immediately come to mind), most films fall by the wayside. "Witch" is a small film that, at first glance, seems to follow the mold before completely shattering it in a second act twist that's daring, provocative, and works in a lot of levels, but could've been more pronounced if given a bigger budget. In the small
Special Review: "Midwest Sessions" Directed by Mario Ricciardi Independent filmmaking is a fascinating concept, wherein the director and everyone involved sets out to make something unique, different, and go against the traditional status quo of what's defined as a "blockbuster." These films aren't usually seen by the masses and won't be included in the top ten highest grossing movies of all time, but they offer something those films don't: a heart and commitment by the people involved to craft something wholly distinctive that tell a story in their own way. Such is "Midwest Sessions," a local film directed by Mario Ricciardi that centers on the city of Youngstown, Ohio, and the captivating people who live there. Told in different vignettes that seem distinct and different from one another but coming together as a whole in the end, it's an engrossing film that utilizes its shoestring budget and gives great performances, decent effects a
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